Songs like the Rich Homie Quan-assisted “Celebrate”-or earlier songs like “No Tears”-are undergirded by betrayal and grim stakes. None of which is to say that DaBaby or his music can be written off as a simple joke.
Just yesterday he dropped the clip for “ Suge (Yea Yea),” where he impersonates the Death Row CEO (complete with a muscle suit and a comically large cigar) and a crooked mailman. There’s “ Next Song,” where DaBaby gets pulled over, hotboxing his car and getting head from the passenger, and placates the cop by telling him to check out DaBaby on Apple Music there’s the breakout hit “ Walker Texas Ranger,” where DaBaby swerves up and down a mountain in a Dodge Ram, watching twerking videos on his iPhone from behind the wheel there’s “ Mini Van,” his collaboration with the Memphis rapper Blocboy JB, where they turn the titular vehicle into the headquarters for a very pleasant-seeming crime syndicate. (This was shortly after he’d changed his name from Baby Jesus.) Recently, his music videos have become funnier, weirder, and more viral. He famously popped up on the streets of Austin wearing nothing but a diaper during SXSW 2017. There are no moody beat shifts or lofty gestures: DaBaby is not trying to be played in museums or at brunch.īut what the 27-year-old shirks in on-record gimmickry he more than embraces on the promotional front. The Charlotte native can turn a colorful phrase and sell rote ones through sheer charisma. This is the fundamental appeal of DaBaby’s music-it’s aggressive, energetic, obsessed with forward motion.
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